Little Bathroom of Horrors

Little bog,
Little bog o’horrors.
Little bog,
Little bog o’terror.
Call a cop.
Little bog o’horrors.
No, oh, oh, no-oh!

Yeah.  This is where we were just a few short months ago – stuck with a gross loo and a bath that could make a grown man gag.  Luckily, after a deep clean, what had felt like a sick joke was revealed to be a pretty decent little bathroom with relatively new fixtures.  We then set out to make it, not just liveable but pretty, on a minimal budget and armed only with my painting expertise and James’ endless trust in the power of DIY. 

This photo was taken on the day we first viewed this old house.  Something needed to be done.  Fast.

 

From the long list of complaints, the mouldy wallpaper was first to go.  I can only ask what sort of a sick bastard would choose floor-to-ceiling wallpaper for a wet space in the beginning with – Jesus H Roosevelt Christ, it was even IN THE SHOWER!  The only thing keeping the plaster work dry was a layer of ancient gloss paint, in better-than-expected condition, but stained with god-only-knows-what.  We were lucky to find out the tiles, on the walls and the floor, were mostly intact and usable as was the bath, although all of the grout lines had been painted with the strangest shade of acid green.

I know.  And don’t even get me started on the Asterix-stickers…  for shits shake.

This is the only useable bathroom in the house so our only option was to focus on small changes to make this space more practical.  We patched all the holes, gave the walls a new lick of paint and replaced a few small details such as the mirror, the shower head and the toilet seat.  The layout could be more functional for a narrow space and eventually I want to do something to cover up the very invasive waste pipe coming down from the upstairs loo, but for the time being I am pretty happy with what we got here.
As if the frosty minty wallpaper was not ugly enough, all metalwork in this bathroom was painted in the strangest shade of acid green.  On the right you see a comparison of the wallpaper and what we found underneath; banged up and stained sage green gloss paint.
Our aim was to create a fresh, modern space that would reflect the character of this old house as well as our taste, so we chose a moody shade of sage green, a bit darker from the original colour of the room, and paired it with a dominant, crisp white with hints of blush pink.  Sage is something we have going on a lot in this house and it felt like a good contrast for white that was used to bring light to this small and enclosed space.  Together with the grey of the exposed plumbing and the deep blue of the floor mosaic, I had a complete colour palette to work with.  James took a bit of convincing on the blush, but I think the finished article works rather well.
Choosing a über-trendy colour such as blush pink can be a bit risky, but if you truly love a shade, trendy or not, why hesitate?  Life is too short to fret about decor anyway.  On the flip side, it might be a good idea, before putting your money down, to think how easy a trendy detail is to change if and when the fab turns naff and how much it would cost you to do so.  As we were not ordering a custom kitchen or spending hundreds on paint, I felt comfortable experimenting a bit.  If we ever get bored with our little bathroom, repainting it would not bust our balls or our budget.

 

  This was my check list for the project:
– re-attach a few cracked tiles below the bathroom mirror
– patch holes in the plaster and a few on the floor 
– Replace the mirror – it was damaged as well as ugly
– fix or replace a broken shower head
– attach a rail for a shower curtain
– patch holes on the door and adjust the fit (the door did not close properly)
– Sort out all grout lines that have been painted over with that gross green gloss
– replace the toilet seat with something more comfortable
– create storage for toiletries, towels etc. 
– paint the walls, plumbing, tub surround and all trims
– Patch up the paint in the ceiling above the bath/shower
– attach a new towel rail closer to the bath/shower
– remove old towel hooks that were too far from the bath/shower
– decorate like a boss  

We did not have a set budget, but incredibly I ended up spending less than 300 euros on this update, bulk of if being the cost of paint.  As there was no plumbing or electrical work for the time being, I was able to do all of it myself, thus avoiding to pay for labour entirely.  Because we had to complete the painting while using the bathroom and wait to get the paint delivered, the whole process took a couple of months.  It could have been a week’s project for somebody with the materials at hand and another shower to use but taking it easy gave us time to think what we really wanted from this mini-renovation; what was necessary and what was not.

The paint I used had to be oil based in able to adhere to the old gloss base, so I picked self-undercoating Dulux Trade Eggshell in Brilliant White for the long walls, and Dulux Valentine Laque in Sage 4 and Framboise 2 for the accents.  We were in luck to have a friend pick us up some British paint as it can be silly expensive here in France.  Some say it’s not the same stuff either – and they are right; most Dulux paints sold in France are adjusted to the French taste in both colour and composition.  They are also largely made in France, therefore different from the ones sold in your average building supply store in the UK.  Not available beyond the French-speaking market, the Valentine gloss with a satin finish was pleasant to use and dried pretty quickly.

 
So the painting begins…
I did not need to use a primer when painting the sage accent walls as the transition between the old and new shades was minimal, but I did use a cheap white gloss I had left over from a previous project to go under the blush pink to stop the 90’s acid green from showing through.  Applying a proper primer takes time, but I would always recommend using one when you are painting a new wall or transitioning between two very different shades, especially when going from dark to light.  Primer helps the paint to adhere to the surface you are transforming and stops stains or the previous colour from showing through over time.  Also, a layer of primer will save you time and money on the top coats by stopping the wall from absorbing the paint too quickly – you get better and more even results while using less paint.
Another thing to keep in mind when using any oil/solvent based products is good ventilation – this stuff can get your head spinning.  It is best to wear a mask when painting and take care handling any thinners or the paint itself as they are toxic enough to harm your skin.  Not to mention flammable.  You must clean your tools with white spirit or turpentine and dispose all left over liquids and paint by taking them to a collection point.  Public déchèteries accept paint scraps in France, but check the advice of your local council if unsure what to do where you are based.
 
As a general rule, you can use gloss over emulsion but never the other way around.  The emulsion or any standard water based product* will not adhere to a base painted in non-water-soluble paint – it will just crack and flake off.  Most household paints today are water-based and whole walls painted in gloss, such as those in our bathroom, are highly unusual.  Historic homes have their quirks, but as an average decorator, you are more likely to stumble on an oil based product on trims, window sills and baseboards.  Replacing gloss with gloss is easy, but by stripping the surface bare, followed by a primer, you can use any type of paint.  Modern emulsion paints are hard wearing and come in all sorts of finishes so you can achieve the look of old-style gloss without using a messy oil based product.  
 
* There are a lot of contemporary innovations that allow all sorts of witchcraft, but I am not an expert on those. 
The Dulux Trade Eggshell, like most professional products, is limited in shades, but it is excellent value for the performance you get.  I enjoyed using it and being a qualified painter of one sort, did not find it difficult to manage cleaning wise.  The scent of the product is stronger than of those aimed for regular DIY use and you need to clean all the equipment used with white spirit or another suitable brush cleaner.  You can buy the stuff without a trade license, but I wouldn’t recommend it for beginners as there are plenty of products that get you the same results but are a lot more user friendly.
The clean and neat AFTER shots.  I am very pleased how it all turned out.
The manufacturer recommends two coats and I found this to be sufficient – even on a larger than normal surface such as my bathroom walls, where you really do not want brush marks or other imperfections.  I used a wide synthetic brush to save paint and enable me to reach behind awkward pipework, the radiator etc. and a smaller one for the wooden trims.  You could use a roller just as well, but for the most even results, choose one that is designed for oil based paints and prepare for a cleaning session from hell.
Thankfully, my James with his formidable 6’6 frame took over the roller in order to paint the ceiling.  This was a simple emulsion job and we chose to use Dulux Bathroom + that repels mould and is guaranteed to last a minimum of five years.
This unit used to be in our kitchen, now it hold all of our toiletries and a formidable stack of towels.  Not a shabby space for a spa day.
Having finished painting the room we needed to decide on storage.  Not being a fan of open shelving in a wet space myself, we decided on a vintage unit bought originally for our kitchen in Bretagne.  The chest is just about narrow enough for this bathroom and has plenty of draws and shelves for our toiletries and towels.  The existing marble shelf above the sink was cleaned and kept for our toothbrushes and it looks pretty nice with the new mirror thrifted from a local depot vente.  The dark wood of the storage unit, a fancy new toilet seat (mahogany, baby!) and the mirror frame really tie the different elements in this bathroom together.
The mirror is not currently fixed on the wall, but rests on a shallow marble self above the sink.
The towel hooks that were inconveniently far away from the bath were taken down and replaced with chrome-finished towel rings.  Our old textiles such as the bathmat and the shower curtain were still in a perfect working order so we did not feel the need to replace any of them.  The accessories, too, were from our old hoard of stuff, merely repurposed to suit this bog.
 
Finlayson towels – this pattern is called Elefantti and it was designed in 1969 by Laila Koskela.
I think it is justified to claim this Little Bathroom of Horrors has been completely rehabilitated.  As it stands, it is a clean, welcoming and sweet-smelling space – no mouldy wallpaper in sight.  No longer do I have to recite Hail Mary’s whilst seated on my porcelain.. ahem.. mahogany throne nor feel dirty after taking a shower!  And I cannot underestimate the importance of this update – after a functioning kitchen, bathroom is the most important room in the house for me; it is an oasis to escape to after a hard day of living on a building site.
Or removing Asterix-stickers from other surfaces around the house.  Bastards.
But going back to the bathrooms… my bubble bath is waiting! *Crabs the ice cold flute of Blanquet and turns up Steve Wright.

The Great Curtain Cover-Up

In these few short months I have had the privilege to live in this charming old house, I learned a few practical lessons in restoration work, but most valuably, gained some patience to help me cope with the fact that we cannot start putting everything right all at once
 
As our beloved N°21 had been empty for over a decade, the first steps in restoring this house to its former glory were intended simply to make it habitable again.  Coming to the end of February, we have succeeded in crafting ourselves an adorably bohemian bedroom where there used to be nothing but dirt and dead bats, a dinky but functional modular kitchen and a two unfinished but comfortable rooms of living and dining space.  Not to mention the little loo of horrors we turned into the clean and functional bathroom it is now.
 
But after all of the absolutely necessary work is done – where do you go next? 
 
There is some structural work to be done in the next few years including patching up parts of the roof and insulating the entire attic floor as well as re-framing spaces to accommodate a few toilets and a large kitchen-diner.  All the plasterwork can be assessed and fixed once the frame of the building dries, most likely during next summer and the shutters, window sills and doors need to be painted before next year’s winter storms.
 
 
 
This is not a weekend project – we would love to be able to finish bulk of it in five years, but you never know.  Old houses are like hen-dos in Vegas; if you don’t keep your cool they can drain all your money, soon followed by your will to live.  So as we are still getting used to living Chez Nous, we are taking it easy, for now, assessing our priorities and harbouring an uncomfortably close relationship with Pinterest.
 
Don’t get me wrong, understanding our priorities won’t make me hate the rough edges of our dwelling any less!  On the contrary.  But before the time comes to start hammering out the crap, I must be creative in hiding what I can’t change in the interim.  From the long list of complaints, the time has come for the raw concrete scarring in our current dining room.  I can’t start plastering it out yet, nor is it sensible as we have plans to extend the existing French doors with a panoramic window.  The next best thing, naturally, is to hide the problem and pretend it does not exist – and this is exactly what I set out to do when I started sewing curtains for an imaginary window.
 
Our dining room before we moved in and after some light touch-ups, including partial wallpaper removal.  The bare patch of concrete sticks out like a sore thumb. 
Luckily I had plenty of fabric to cover up the whole mess.  While looking for décor for our wedding in Finland last December, we raided a Finlayson Outlet Store in my old home town in Forssa and picked up over 10 meters of their Kihla-fabric from a bargain bin of off-cuts.  Designed by Sami Vulli, the pattern is inspired by Finlayson’s graphic motifs from the 60’s and 70’s, and features stylised wedding rings*.  Although we needed to cut some of the cotton we bought in order to have enough table runners for the wedding, I managed to sew two sets of narrow panel curtains, one wider curtain and a new doggy bed cover for our Rusty with a good couple of meters still remaining.
 
*Although we did not know it at the time. I literally just googled the name of the pattern for this blog.
The happy nuptials: These snaps are from our very hand crafted wedding. We needed to cut some of the fabric for the table runners, but no-sewing was required, merely a creative hand wielding an iron.   
I have always been a fan of Finlayson.  To be honest it could not be avoided growing up in a city like Forssa where a large selection of their fabrics used to be made.  Comparing Finlayson textiles to other better known Finnish producers such as Marimekko, theirs were always the working horse of fabrics and soft furnishings, durable and affordable, but no less iconic from their rivals.  In the recent years they have re-introduced a load of their old classics, from retro patterns to the Moomins, and launched new lines that turned out to be amazingly popular such as the Tom of Finland collection.  As Finlayson Co is getting increasingly known overseas, especially in East-Asia, the prices have increased too.  We were able to rummage through their bargains and buy our Kihla-fabric for 15€ a kilo, but I would have happily dished out the full price (approx. 20-25€ per metre) for this lovely piece of thick cotton – in my experience it is hard wearing and washes well without losing colour.
 
But going back to the task at hand:  sewing curtains can be just as easy or as hard as you want and I made mine super simple.
 
I will be adding a white liner when these are hanging on an actual window, but for the minute I left the back side blank to enable me to adjust the length easily if needed.  Having zig-zagged all the rough edges to avoid fraying I pressed my seams before sewing them to make everything run as smoothly as possible.  Not really being a sewing-wizard myself, these curtains turned out surprisingly nicely.  
 
The most difficult part was to get the pattern match between both double panels, especially when most of these bits I used for the curtains had been half-arsedly ripped to size for the wedding.  The whole project took me around a day from ironing the properly ruffled up fabric to finishing the hems.  One of the panels is a tiny bit shorten than its peers and another still bears a faint ghost of red wine spilled at the merriment of our marriage ceremony, but hey, they’ll do fine for the job. The two picked our for this project were roughly the cleanest and just wide enough to cover that fugly wall.  So bye bye nasty concrete – hello retro vibes!

After: finished curtains in situ

I had the whole 6’6 of James helping me with the rods, thankfully.  Getting them somewhat levelled on my own would have been a mission impossible, especially as the ceiling in this room sags just enough to make everything look crooked regardless.  In fact, we had to fix them in place twice, perfectly level at first and then crooked to match the profile of the ceiling – now the end result appears somewhat straight.   


Tackling this little eye sore really came to show that putting things out of sight does get them off your mind.  Or I am just pretty good avoiding life’s little pitfalls!  Either way, this dining room is slowly but surely starting to feel like home. 

 

Sorry what… A G&T? Don’t mind if I do!