Stairway to Heaven

Yeah, I know.  I had to.  I am a simple girl: our stairway was in a dire need of tender love and care and I had just the title!  Cheese or no cheese, I hope you will appreciate my next project that stands before you as a living-non-breathing-proof of the transformative power of paint:
It was dark.  It was dreary.  It was mahogany-tinted pine. 
 
I am of course talking about the tongue and groove panelling on the first flight of stairs leading from the entryway to our main living space floor above.  This particular section was poorly lit in the begin with, but the imposing hue of the pine was making the situation much worse by masking out the contour of our beautiful oak staircase as well as dating the space significantly.  Sure, we will be adding proper lighting to the landing area later, with the help of our trusted electricians, but in the meantime, replacing the whole panelling that was perfectly functional, just a bit depressing, felt like an overkill, hence James and I decided to give it a lick of fresh paint instead. 
 
The pine panelling was stained with a heavy hand and waxed to protect this lovely shade of drab.  It made the first flight of our stairs feel unwelcoming and dark and did no favours for the lovely oak stairs that blend straight into the dark background.
Having looked at a few colour charts we went with our usual: a tin of brilliant white.  With my pesky Nordic heritage and a taste for everything minimalist, it just felt like the right choice for this dark and narrow space.  As the panelling had been treated with both, stain and wax, I chose to use a Nuance Mono Créme multi-surface emulsion in matte finish.  Nuance is a French dupe for Dulux and this particular concoction is self-undercoating, thus sticks like shit to a blanket, fast drying and silly easy to use. 
 
As with any good paintjob, I started mine by sanding the panels.  One could use the good old sandpaper in medium grain, but I chose to fasten things up a little by cranking up my beloved electric sander.  To get rid of most of the old wax treatment, I needed to go over the area a few times before I was down to regular wood.  There was no need to bother getting rid of all the stain* as it sits much deeper than wax and my paint would cover it up easily with a few thorough coats.  Having cleaned the surface of all dust, I applied the paint with a brush.  A roller is certainly a more forgiving tool, especially for the beginner, but I do not like the way using one inevitably wastes paint.  The grooves of these panels and the fact I had to work with my hands behind the spindles of the staircase also made the brush a good pick for this job.   
 
*Stain is a generic term for (usually) water-based colouring that penetrates the wood highlighting the natural variation of wood-grain.  The more you apply, the darker or more vibrant your final colour will be.  It’s recommended you seal the wood after staining by waxing it or applying a coat of lacquer, oil, etc. to protect the finished surface and make it repel dust and dirt.
 
The tools of the trade: my beloved sander and wood, PVC and aluminum compatible paint – if these can’t beat the shit out of that faux mahogany, nothing will!
 I let my wall to dry overnight after the first coat, not because it would have needed it, but as it was getting a bit late.  Without my beauty sleep though, I could have been finished with the whole job in about three hours, including an extensive search for an extension lead my lovely husband had tidied away exactly where it belonged.  

Bastard. 

And here’s the results: Not bad I say!

 Having seen some photos of the new colour, he couldn’t believe how airy and open the corridor suddenly felt.  The fresh white paint is the best substitute for natural light in a space like this in my view and having erased the oddly red-ish mahogany tint, you can actually distinguish where our lovely staircase begins and the partition ends.  How clean it all looks certainly gives me hope when thinking about rehabilitating rest of our stairwell that is currently painted in varying shades of natural white with decades of dirty handprints and nicotine stains.  Yummy!

 

I’m not a great believer in art hung in narrow spaces, as normally I am too clumsy to risk it, but this little “home” sign felt appropriate here.  It was a housewarming present upon moving to France nearly three years ago now and will hopefully hang in our home, in this old house, for decades to come.

 
That’s it folks!  I think I can concur this was a small but transformative job – one that we would have tackled ages ago if only we had known how easy it was…  

Little Bathroom of Horrors

Little bog,
Little bog o’horrors.
Little bog,
Little bog o’terror.
Call a cop.
Little bog o’horrors.
No, oh, oh, no-oh!

Yeah.  This is where we were just a few short months ago – stuck with a gross loo and a bath that could make a grown man gag.  Luckily, after a deep clean, what had felt like a sick joke was revealed to be a pretty decent little bathroom with relatively new fixtures.  We then set out to make it, not just liveable but pretty, on a minimal budget and armed only with my painting expertise and James’ endless trust in the power of DIY. 

This photo was taken on the day we first viewed this old house.  Something needed to be done.  Fast.

 

From the long list of complaints, the mouldy wallpaper was first to go.  I can only ask what sort of a sick bastard would choose floor-to-ceiling wallpaper for a wet space in the beginning with – Jesus H Roosevelt Christ, it was even IN THE SHOWER!  The only thing keeping the plaster work dry was a layer of ancient gloss paint, in better-than-expected condition, but stained with god-only-knows-what.  We were lucky to find out the tiles, on the walls and the floor, were mostly intact and usable as was the bath, although all of the grout lines had been painted with the strangest shade of acid green.

I know.  And don’t even get me started on the Asterix-stickers…  for shits shake.

This is the only useable bathroom in the house so our only option was to focus on small changes to make this space more practical.  We patched all the holes, gave the walls a new lick of paint and replaced a few small details such as the mirror, the shower head and the toilet seat.  The layout could be more functional for a narrow space and eventually I want to do something to cover up the very invasive waste pipe coming down from the upstairs loo, but for the time being I am pretty happy with what we got here.
As if the frosty minty wallpaper was not ugly enough, all metalwork in this bathroom was painted in the strangest shade of acid green.  On the right you see a comparison of the wallpaper and what we found underneath; banged up and stained sage green gloss paint.
Our aim was to create a fresh, modern space that would reflect the character of this old house as well as our taste, so we chose a moody shade of sage green, a bit darker from the original colour of the room, and paired it with a dominant, crisp white with hints of blush pink.  Sage is something we have going on a lot in this house and it felt like a good contrast for white that was used to bring light to this small and enclosed space.  Together with the grey of the exposed plumbing and the deep blue of the floor mosaic, I had a complete colour palette to work with.  James took a bit of convincing on the blush, but I think the finished article works rather well.
Choosing a über-trendy colour such as blush pink can be a bit risky, but if you truly love a shade, trendy or not, why hesitate?  Life is too short to fret about decor anyway.  On the flip side, it might be a good idea, before putting your money down, to think how easy a trendy detail is to change if and when the fab turns naff and how much it would cost you to do so.  As we were not ordering a custom kitchen or spending hundreds on paint, I felt comfortable experimenting a bit.  If we ever get bored with our little bathroom, repainting it would not bust our balls or our budget.

 

  This was my check list for the project:
– re-attach a few cracked tiles below the bathroom mirror
– patch holes in the plaster and a few on the floor 
– Replace the mirror – it was damaged as well as ugly
– fix or replace a broken shower head
– attach a rail for a shower curtain
– patch holes on the door and adjust the fit (the door did not close properly)
– Sort out all grout lines that have been painted over with that gross green gloss
– replace the toilet seat with something more comfortable
– create storage for toiletries, towels etc. 
– paint the walls, plumbing, tub surround and all trims
– Patch up the paint in the ceiling above the bath/shower
– attach a new towel rail closer to the bath/shower
– remove old towel hooks that were too far from the bath/shower
– decorate like a boss  

We did not have a set budget, but incredibly I ended up spending less than 300 euros on this update, bulk of if being the cost of paint.  As there was no plumbing or electrical work for the time being, I was able to do all of it myself, thus avoiding to pay for labour entirely.  Because we had to complete the painting while using the bathroom and wait to get the paint delivered, the whole process took a couple of months.  It could have been a week’s project for somebody with the materials at hand and another shower to use but taking it easy gave us time to think what we really wanted from this mini-renovation; what was necessary and what was not.

The paint I used had to be oil based in able to adhere to the old gloss base, so I picked self-undercoating Dulux Trade Eggshell in Brilliant White for the long walls, and Dulux Valentine Laque in Sage 4 and Framboise 2 for the accents.  We were in luck to have a friend pick us up some British paint as it can be silly expensive here in France.  Some say it’s not the same stuff either – and they are right; most Dulux paints sold in France are adjusted to the French taste in both colour and composition.  They are also largely made in France, therefore different from the ones sold in your average building supply store in the UK.  Not available beyond the French-speaking market, the Valentine gloss with a satin finish was pleasant to use and dried pretty quickly.

 
So the painting begins…
I did not need to use a primer when painting the sage accent walls as the transition between the old and new shades was minimal, but I did use a cheap white gloss I had left over from a previous project to go under the blush pink to stop the 90’s acid green from showing through.  Applying a proper primer takes time, but I would always recommend using one when you are painting a new wall or transitioning between two very different shades, especially when going from dark to light.  Primer helps the paint to adhere to the surface you are transforming and stops stains or the previous colour from showing through over time.  Also, a layer of primer will save you time and money on the top coats by stopping the wall from absorbing the paint too quickly – you get better and more even results while using less paint.
Another thing to keep in mind when using any oil/solvent based products is good ventilation – this stuff can get your head spinning.  It is best to wear a mask when painting and take care handling any thinners or the paint itself as they are toxic enough to harm your skin.  Not to mention flammable.  You must clean your tools with white spirit or turpentine and dispose all left over liquids and paint by taking them to a collection point.  Public déchèteries accept paint scraps in France, but check the advice of your local council if unsure what to do where you are based.
 
As a general rule, you can use gloss over emulsion but never the other way around.  The emulsion or any standard water based product* will not adhere to a base painted in non-water-soluble paint – it will just crack and flake off.  Most household paints today are water-based and whole walls painted in gloss, such as those in our bathroom, are highly unusual.  Historic homes have their quirks, but as an average decorator, you are more likely to stumble on an oil based product on trims, window sills and baseboards.  Replacing gloss with gloss is easy, but by stripping the surface bare, followed by a primer, you can use any type of paint.  Modern emulsion paints are hard wearing and come in all sorts of finishes so you can achieve the look of old-style gloss without using a messy oil based product.  
 
* There are a lot of contemporary innovations that allow all sorts of witchcraft, but I am not an expert on those. 
The Dulux Trade Eggshell, like most professional products, is limited in shades, but it is excellent value for the performance you get.  I enjoyed using it and being a qualified painter of one sort, did not find it difficult to manage cleaning wise.  The scent of the product is stronger than of those aimed for regular DIY use and you need to clean all the equipment used with white spirit or another suitable brush cleaner.  You can buy the stuff without a trade license, but I wouldn’t recommend it for beginners as there are plenty of products that get you the same results but are a lot more user friendly.
The clean and neat AFTER shots.  I am very pleased how it all turned out.
The manufacturer recommends two coats and I found this to be sufficient – even on a larger than normal surface such as my bathroom walls, where you really do not want brush marks or other imperfections.  I used a wide synthetic brush to save paint and enable me to reach behind awkward pipework, the radiator etc. and a smaller one for the wooden trims.  You could use a roller just as well, but for the most even results, choose one that is designed for oil based paints and prepare for a cleaning session from hell.
Thankfully, my James with his formidable 6’6 frame took over the roller in order to paint the ceiling.  This was a simple emulsion job and we chose to use Dulux Bathroom + that repels mould and is guaranteed to last a minimum of five years.
This unit used to be in our kitchen, now it hold all of our toiletries and a formidable stack of towels.  Not a shabby space for a spa day.
Having finished painting the room we needed to decide on storage.  Not being a fan of open shelving in a wet space myself, we decided on a vintage unit bought originally for our kitchen in Bretagne.  The chest is just about narrow enough for this bathroom and has plenty of draws and shelves for our toiletries and towels.  The existing marble shelf above the sink was cleaned and kept for our toothbrushes and it looks pretty nice with the new mirror thrifted from a local depot vente.  The dark wood of the storage unit, a fancy new toilet seat (mahogany, baby!) and the mirror frame really tie the different elements in this bathroom together.
The mirror is not currently fixed on the wall, but rests on a shallow marble self above the sink.
The towel hooks that were inconveniently far away from the bath were taken down and replaced with chrome-finished towel rings.  Our old textiles such as the bathmat and the shower curtain were still in a perfect working order so we did not feel the need to replace any of them.  The accessories, too, were from our old hoard of stuff, merely repurposed to suit this bog.
 
Finlayson towels – this pattern is called Elefantti and it was designed in 1969 by Laila Koskela.
I think it is justified to claim this Little Bathroom of Horrors has been completely rehabilitated.  As it stands, it is a clean, welcoming and sweet-smelling space – no mouldy wallpaper in sight.  No longer do I have to recite Hail Mary’s whilst seated on my porcelain.. ahem.. mahogany throne nor feel dirty after taking a shower!  And I cannot underestimate the importance of this update – after a functioning kitchen, bathroom is the most important room in the house for me; it is an oasis to escape to after a hard day of living on a building site.
Or removing Asterix-stickers from other surfaces around the house.  Bastards.
But going back to the bathrooms… my bubble bath is waiting! *Crabs the ice cold flute of Blanquet and turns up Steve Wright.