Life is looking rather good here by the Montagne Noire, especially as I just managed to complete painting the walls of our project room here in Chez Nous. It has taken me (and James) nearly three times as long as initially planned, but behold – we have colour! Rehabilitating that orange panelling sure wasn’t fun and do not even get me started on the ceiling… or paint removal for that matter, yet somehow here we are: nearly finished decorating the first full room in this old house.
Cannot lie, saying that does feel pretty good.
I suppose this is also the time to reveal the colour palette we chose: two shades of light sage green paired with crisp white and charcoal grey combined with terracotta and dark chestnut woodwork. I was aiming for more of a Wes Anderson kind of vibe rather than 90’s country, but we’ll see.
May the Pinterest be my judge, etcetera.
Good preparation and priming is obviously a key to a perfect paint job, but how do you go on choosing the right paint for a project? Naturally it all starts from what you want to paint. Yeah, I know multisupport emulsions are getting better each round we scoot around the sun, but I like things old school – oil paint for wood, trims, metal and anything previously coated with an oil based product (this includes furniture in my book unless a specific finish is required) and water based breathable paints for plaster (i.e. walls & ceilings) or plasterboard.
Oil can go on top of emulsion, emulsion cannot go on top of oil.
As long as you keep this simple rule in mind you are good to go. Some people would disagree with me as going over an older, fully dried oil-painted surface or a heavily varnished piece of wood is indeed possible, but keep in mind the end results are not as hard wearing as they should be. As emulsion does not really bond with an old oil based product, it can easily chip off, crackle or flake with time. For these reasons I chose to use a mix of mediums in this spare room project of ours.
James and I both wanted to use sage green from the get-go, but had a little trouble selecting the exact shade. Like a true husband and wife, we ended up going with what I wanted – two dusty shades of light sage with the promise that I will make it look good or else. Both were from our local Brico’s mix in store range, Dulux Valenite Laque in satin finish for the wood panelling and Nuance matt emulsion for the plaster. The respected shades were chosen from the lighter end of the sage greens available, around the Sage 6 mark, and we bought two and a half litres of each. This was to be just about enough to coat the panelling twice and more than enough for the plaster as we chose to add generous 5 litres of Dulux matt white to the Nuance before I was happy with the contrast of the two colours. We could have just got the right shade mixed up in store, of course, but could not quite find one light enough without going too yellow for my liking. And besides, by adding cheaper white paint to the liberally priced Nuance emulsion, we got over twice the paint without the hefty price tag.
Combining scraps of paints or different brands in order to create custom shades is no fuss at all as long as you remember to keep your oils separate from your emulsions and always test your shade beforehand as it can dry surprisingly darker or lighter once applied – unless you like happy little accidents that is. I myself like to be the only accident in this old house, so I patch tested our custom emulsion straight on the wall as I was gradually pouring in the white until I was happy with the mix.
The panelling and ceiling (oil based paints) had two coats each before I moved on to the plaster (emulsion) that required three coats to look even. As there was so much tongue and groove panelling involved, I found it easiest to use an angled brush to get paint into each and every groove and cranny before applying the last coat with a smooth foam roller. Having primed the ceiling few weeks before, I was over the moon to have James bearing the grunt regarding the top coats. He’s tall and doesn’t need a ladder. Some might call it natural selection! This meant I was able to crack on with the easy jobs… ahem, I mean the important jobs such as masking taping and going over the corners and such with the cute little roller thingy.
It was a bit of pain navigating our respected rollers around each other as well as everything that was not to receive a coat of paint, such as the shelving, doorframes, the dog… but we did well. My mum who has now arrived on the building site was generously taking care of the refreshments and the running commentary of our labour. Most of it approving, may I add.
Seeing this project getting closer to finish has been a real motivation booster for us all; we both, James and I, love the colours we chose. (Instant wifey points!) They go well together and suit the existing elements of the space such as the fireplace and the plentiful dark wood. By going lighter we made this dark and unwelcoming space feel much more open and airy with very un-invasive changes. The dusty sage has a lovely vintage feel to it and looks right at home in a house of over hundred years of age – although, as sage was one of the colours the trims and the doors of this room had been painted with in the past, it really came as no surprise to us.
What do you think of our pastel hued room so far? Got a project you want to share with us? Let me know in the comments, insular remodelling sure is not fun and I could do with a bit of decorating inspiration right now! The bulk of this project is starting to look finished now, but there is plenty more to do. Perhaps I’ll let you in on it next week…
A tout à l’heure.